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Antique French Vernis Martin Serpentine Side Occasional Table C1870

Antique French Vernis Martin Serpentine Side Occasional Table C1870
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  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
  • Antique French Vernis Martin Serpentine Side Occasional Table C1870
Ref:08299
Price: £1,250.00
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Our London showrooms Open Mon to Fri 10am - 5pm Open Sat 2nd December 10am - 4pm

A superb late 19th century French ormolu mounted Vernis Martin decorated lift top side table of serpentine outline, on slender cabriole supports, C1880 in date.

It has a stunning serpentine top  with a central panel that has been hand painted with a beautiful painting depicting a courting couple. The interior has been lined in 

The quality and attention to detail throughout is second to none.

Add a touch of unparalleled style to your home.

With working lock and original key.
 

Condition:

In excellent condition having been beautifully restored in our workshops, please see photos for confirmation.
 

Dimensions in cm:

Height 75 x Width 42 x Depth 29

Dimensions in inches:

Height 2 feet, 5 inches x Width 1 foot, 4 inches x Depth 11 inches

Vernis Martin
is a lustrous lacquer substitute widely used in the 18th century to decorate furniture and such personal articles as brisé fans,  snuffboxes and clocks. The process of adding bronze or gold powder to green varnish was perfected by the French brothers Guillaume and Etienne-Simon Martin, hence its name “Vernis Martin”, as Vernis is French for varnish. It is said to have been made by heating oil, copal and amber and then adding Venetian turpentine and the Martin brothers perfected the process with inclusions in the varnish, sprinkling spangles of silver plated copper wire into the wet varnish ground. Highly praised by Voltaire, it was developed to imitate East Asian lacquerware which was being imported into France during the Louis XV period. Vernis Martin was made in several colours, green, black and a golden red being the most characteristic.

 

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 08299

Please feel free to email or call us (+44 20 8809 9605) to arrange a viewing in our North London warehouse.

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Delivery and return policy:

We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.