Pair Green Marble & Silver Plate Corinthian ColumnTable Lamps
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This is a stunning pair of Regency Style Corinthian column table lamps.
They are wired and in working order, made in silvered bronze with dark green marble columns.
These table lamps are truly magnificent and will lend your reception or dining room an incredible ambience.
These lamps are in full working order, please see photos for confirmation of their condition.
Dimensions in cm:
Height 58 x Width 15 x Depth 15
Dimensions in inches:
Height 1 foot, 11 inches x Width 6 inches x Depth 6 inches
The name Corinthian is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Temple of Mars Ultor in the Forum of Augustus c. 2 AD. It was employed in southern Gaul at the Maison Carrée, Nîmes and at the comparable podium temple at Vienne. Other prime examples noted by Mark Wilson Jones are the lower order of the Basilica Ulpia and the arch at Ancona (both of the reign of Trajan, 98–117 AD the column of Phocas re-erected in Late Antiquity but 2nd century in origin, and the Temple of Bacchus at Baalbek c. 150 AD
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 08133
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