Gorgeous Set 4 Handpainted Toleware Tea Caddies
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This is a stunning set of four highly decorative English hand painted toleware tea caddies dating from the last quarter of the 20th century.
All beautifully painted with chinoiserie decoration.
It is a spectacular set which will look amazing wherever you choose to display it.
In excellent condition, please see photos for confirmation.
Dimensions in cm:
Height 37 x Width 22 x Depth 22
Dimensions in inches:
Height 1 foot, 3 inches x Width 9 inches x Depth 9 inches
The term tôle, derived from the French tôle peinte, "painted sheet metal", is synonymous in English usage with japanning on tin, such as the tôle shades for bouilotte lamps and other candle shades, and trays and lidded canisters, in which stenciling and gilding often features, almost always on a black ground. Pontypool and Usk in South Wales made a reputation for tôle imitating Japanese lacquerstarting in the early 19th century.
In the collectibles and antique industry, toleware refers to kitchen-related objects created from metal, typically tin or thin steel, and are often in decorative styles such as Arts and Crafts and Pennsylvania Dutch. Decorative painting on these items is common but not necessary. This style of decorative art spread from Europe to the United States in the 18th century, and was popular in US kitchens in the 18th and 19th centuries.
In the field of handicrafts, tole painting on metal objects is a popular amateur pastime.
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 07577