Bedouin Warrior on Camel Bronze Sculpture After Leonard
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This is a bronze sculpture of a Bedouin warrior on a camel making his stately way across the desert. Holding a spear with a rifle slung on his back, this incredibly lifelike bronze sculpture summons up the ambience of the hot Saharan sands with the camel bedecked in wonderfully detailed fringed saddle cloth and saddle and a beautifully rendered rope halter. The cross legged pose of the Bedouin warrior slightly leaning back lends poise and charm and it takes very little to imagine this Bedouin warrior navigating the difficult terrain on his ship of the desert.
Recast from an original it bears the replica signature of Agathon Leonard, the famous French sculptor who was working in Paris from the late 19th to early 20th century. Mounted on an attractive marble base, this bronze sculpture of a Bedouin warrior will be sure to bring the waft of exotic climes to any setting you may choose for it.
This bronze sculpture of a Bedouin warrior on a camel is in excellent condition as can be seen by the photographs. Please be sure to look at the detail and appreciate the fine craftsmanship of this wonderful bronze sculpture.
To View this Bedouin on a Camel Bronze Sculpture
You are invited to visit our north London warehouse to view and inspect this bronze sculpture of a Bedouin warrior, along with our wide range of other bronze sculptures that we have in stock. If you intend to make a special journey to see this item, please call first to ensure that it is still available and has not been sold. Please be sure to give us the item reference number shown above when getting in touch so we know which of our many bronze sculptures you are referring to.
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Our London showroom is open Mon to Fri 10am – 5pm.
We also open occasionally on Saturdays – please be sure to confirm you visit first before making the trip, we do not want you to be disappointed.
If You Would Like More Information
To find out more about this Bedouin warrior on a camel bronze sculpture and to get any questions you might have answered, please feel free to call our in-house antiques experts on the phone number shown. When calling please be prepared to tell us the item reference shown so we know which item you would like to talk about.
Shipping, Delivery and Returns
You are looking at a fine Bedouin warrior on a camel bronze sculpture. It requires expert and careful packing and shipping so that it reaches your destination securely and safely. We can ship this bronze sculpture of a Bedouin warrior to almost any location worldwide and we will be delighted to take care of the packing for you, but please do call or email for a shipping quotation first, before purchasing this bronze sculpture of a Bedouin warrior so that we can fully meet your shipping requirements. We ship completely free of charge to any mainland UK address.
If you are not satisfied with the item we offer a 14-day money back guarantee in accordance with the Distance Selling Regulations. You will be responsible for the return shipping fees for this Bedouin warrior on a camel bronze sculpture, unless we have erroneously described the item in some material way and you do not receive the item as described. You must return the piece in its original packaging and condition.
You are also responsible for any customs duties or local taxes that fall due outside the European Union.
Dimensions in cm:
Height 38 x Width 24 x Depth 17 & Weight 6.5 kg
Dimensions in inches:
Height 1 foot, 3 inches x Width 9 inches x Depth 7 inches & Weight 14.3 lbs
Angelica Kauffman, RA (1741 - 1807)
was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.
While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.
Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.
The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).
is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.
The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.
It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.
Our reference: 02900