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Empire Style Maple Chest Verde Antico Marble Top

Empire Style Maple Chest Verde Antico Marble Top
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  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
  • Empire Style Maple Chest Verde Antico Marble Top
Ref:02209
Price: £1,100.00
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This is a beautiful tall maple eight drawer chest in the Empire style, of recent manufacture.

This stunning chest features a beautiful marble top and attractive ormolu mounts with eight drawers.

The craftsmanship on display throughout the piece is thoroughly impressive.

Add a touch of unparalleled style to a special room in your home with this beautiful tall chest.



Condition:

In excellent condition, please see photos for confirmation of condition.

Dimensions in cm:

Height 134 x Width 57 x Depth 35

Dimensions in inches:

Height 4 feet, 5 inches x Width 1 foot, 10 inches x Depth 1 foot, 2 inches

Maple 
occurs primarily in Sugar Maple and is a very hard wood with divergent grain structure caused by the presence of the Birdseyes.

In the days when all furniture was made essentially by hand, Birdseye Maple was used by only the most capable cabinetmakers. These artisans had developed the tools and skills to work and finish Birdseye Maple successfully. Antique furniture made out of Birdseye Maple is rare and beautiful.

The divergent grain that makes Birdseye Maple beautiful also makes it difficult to work. Early woodworking machines ran at low rpms and had only 2 knives per cutterhead. This often produced Birdseye surfaces that were chipped and torn. It took many hours of hand planing and scraping to get these surfaces to a high sheen.

This limited the use of Birdseye maple to projects whose value could justify the extra labour cost. Examples of this are fine furniture and musical instruments.

Empire style 
is an early-19th-century design movement in architecturefurniture, other decorative arts, and the visual arts followed in Europe and America until around 1830.

The style originated in and takes its name from the rule of Napoleon I in the First French Empire, where it was intended to idealize Napoleon's leadership and the French state. The style corresponds to the Biedermeier style in the German-speaking lands, Federal style in the United States and to the Regency style in Britain. The previous style was called Louis XVI style, in France.

The Empire style was based on aspects of the Roman Empire. It is the second phase of neoclassicism which is also called "Directoire", after a goverment system.
Furniture typically had symbols and ornaments borrowed from the glorious ancient Greek and Roman empires.

The furniture was made from heavy woods such as mahogany and ebony, imported from the colonies, with dark finishes often with decorative bronze mounts. Marble tops were popular as were Egyptian motifs like sphinxes, griffins, urns and eagles and the Napoleonic symbols, the eagle, the bee, the initials "I" and a large "N." 
Gilded bronze (ormolu) details displayed a high level of craftsmanship.

 

Ormolu
 (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.
The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.

The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copperbrass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.

No true ormolu was produced in France after around 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil).

Angelica Kauffman, RA (1741 - 1807)

was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome. Though born as "Kauffmann", Kauffman is the preferred spelling of her name in English; it is the form she herself used most in signing her correspondence, documents and paintings.

While Kauffman produced many types of art, she identified herself primarily as a history painter, an unusual designation for a woman artist in the 18th century. History painting, was considered the most elite and lucrative category in academic painting during this time period. Under the direction of Sir Joshua Reynolds, the Royal Academy made a strong effort to promote history painting to a native audience who were more interested in commissioning and buying portraits and landscapes.

Despite the popularity that Kauffman enjoyed in British society and her success as an artist, she was disappointed by the relative apathy that the British had towards history painting. Ultimately she left Britain for the continent, where history painting was better established, held in higher esteem and patronized.

The works of Angelica Kauffman have retained their reputation. By 1911, rooms decorated with her work were still to be seen in various quarters. At Hampton Court was a portrait of the duchess of Brunswick; in the National Portrait Gallery, a self-portrait. There were other pictures by her at Paris, at Dresden, in the Hermitage at St Petersburg, in the Alte Pinakothek atMunich, in Kadriorg Palace, Tallinn (Estonia).

Satinwood

is a hard and durable wood with a satinlike sheen, much used in cabinetmaking, especially in marquetry. It comes from two tropical trees of the family Rutaceae (rue family). East Indian or Ceylon satinwood is the yellowish or dark-brown heartwood of Chloroxylon swietenia.

The lustrous, fine-grained, usually figured wood is used for furniture, cabinetwork, veneers, and backs of brushes. West Indian satinwood, sometimes called yellow wood, is considered superior. It is the golden yellow, lustrous, even-grained wood found in the Florida Keys and the West Indies.

It has long been valued for furniture. It is also used for musical instruments, veneers, and other purposes. Satinwood is classified in the division Magnoliophyta, class Magnoliopsida, order Sapindales, family Rutaceae.

Our reference: 02209

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Delivery and return policy:

We require that someone be home on the agreed delivery day if applicable, otherwise a redelivery fee will apply.

In accordance with Distance Selling Regulations, we offer a 14-day money back guarantee if you are not satisfied with the item.

The item must be returned in its original packaging and condition.

Unless the item is not as described in a material way, the buyer is responsible for return shipping expenses.

Buyers are fully responsible for any customs duties or local taxes that may be incurred on items sent outside of the European Union.